Elizabeth Kostova Foundation

ZOYA

‘You’re so sour-tempered, Gergana’ asserted baba Zoya and kept knitting. ‘As if a lemon wedge is stuck to your tongue.’

I kept my mouth shut, didn’t want to argue with her. That’s not why I was there.

‘Have you seen Boyan?’

‘No, he hasn’t come home yet, no. Why? Doesn’t he drop by Mitko, the huntsman, anymore?’ The woman had such a mirror-like gaze. I didn’t see her, but myself in her eyes.

‘Maybe he’s in the tap-room with the other workers.’

Baba Zoya fell silent for a second. She put aside the green ball of yarn and took the black one.

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WHERE I BELONG

The gulp of winter air fills my lungs with chills, then retreats with a sigh. It clears off old visions and carries them away. The visions vanish, soaring high, where they belong. They were here only for an instant - for comfort, hope or advice. They predate us, and send us off. They will be around after the last human is extinct. Then, finally at peace, they will tend to noon. They will dance floating in the skies, or descend at their whim – for no reason and with no duties. Unfettered visions bound only by their own immortality.

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VANISHING POINT

11 August 1999

“I hate her.”

I stood in my room, gritting my teeth so hard I was in danger of breaking a molar. Of course she wouldn’t come.

“Viki! Come on, you’ll miss it!” Grandma called to me from downstairs, and I slammed the phone down. I had squeezed so hard that my knuckles turned white – even though the conversation was long over – and I went downstairs.

“Who were you talking to for so long? Your father’s already waiting for you outside.”

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WAR DRUMS

There is a pedestrian tunnel beneath Fourteenth Street, connecting the subway trains at Sixth Avenue with those at Seventh. Daily, a wash of people are flushed through this hot pipe of meat, the bodies so densely packed that you cannot see the tunnel’s end until you’ve already passed through it. It’s like a scene out of Metropolis, almost Biblical.

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ISLINGTON

So will things be different, do you think, for us now? She asked this from the bathtub. Her voice was surprising because it was so light.

I suppose they must, he said. He was in the kitchen preparing lentils. The skins of these lentils were a mottled grey with green and brownish flecks. Whatever they expressed they expressed through some arcane, subliminal code.

She said, It’s funny, isn’t it? A funny feeling, I couldn’t say why. He heard the bathwater stir. Strange and sort of amazing, she said, the things that come back to you.

Like what?

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THE ALPHABET OF SUPPOSITION, an excerpt

When my aunt Fani called me in Chicago from Bulgaria to tell me she had found her brother, my father, dead, lying back across his bed with his right hand over the heart, she chose the inferential mood to relay the news. Баща ти си е отишъл. / Bashta ti si e otishal. / Your father has left, apparently.

“Bashta ti si e otishal,” she said. It wasn’t a “Your father’s dead” but more of a “It appears that your father’s gone.” The structure enabled a lack of finality that my brain chose to translate as my father had decided to slip out of the room, elegantly and without witnesses.

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REMEMBERING NOT FORGETTING, an excerpt

[…]

“That was really not necessary,” the doctor tells Nadezda as he takes the box of assorted chocolates and places them on the side. She finds a certain dismissiveness in his gesture. They are past the Best Before date on the box, but he couldn’t have made that out so quickly.

“Thank you again for seeing me at such short notice,” she says, placing her hand on her heart.

He leans back in his seat. “Well, we had a cancellation. What seems to be the trouble?”

“I’m worried,” Nadezda says. “I’m getting tired easily. I can’t remember things.”

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A WINTER WALK IN SOFIA

A young man, with an apron, stained from a just filleted fresh fish, storms out of the back entrance of a small restaurant to a crossing of Stamboliyski boulevard, sits in front and lights a cigarette. A gargantuan grey cat with what used to be a white patch around the neck, approaches him with a dancing step, and begins to rhythmically caress its face in his black leather ankle boots: now to the left side, now to the right.

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BEAR BOY

"Can I get you anything else, Bear Boy?" inquired the waiter of the neighborhood hole-in-the-wall café with an ill-contained smirk. 

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THE WRITER AS SPY

I have a story in which the main character is a voyeur. It is called The Red Room. Every few months this guy rents a new place to stay in search of more and more new scenes for observation. One night, the lens of his powerful telescope falls upon a room flooded with intense red light. It is completely empty, except for the plain wooden chair in the middle. For days, weeks on end, our voyeur observes the room, but no one enters. The chair remains empty and the red light streams relentlessly into the night.

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TOO FAR FOR COMFORT

"Are all Bulgarians as touchy-feely as you?" The question had never occurred to me, until my friend Jenny asked me a few weeks after we met during our freshman year of college in Saint Paul, Minnesota. This was the first time I thought about personal space explicitly, even though I'd probably experienced it on a sensory level throughout my whole life. I was coming from a high school in Kuwait, which, although American in name, spirit, and language of instruction, was actually a hard-to-disentangle jumble of cultures, customs, greeting habits, and levels of touchiness.

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RED TIDE

To defrost from a long Arctic Vortex and to draw mangroves in charcoal I flew to an artist colony near Fort Myers, Florida, on an elongated and thin island, a Key. I didn't know there were Keys on the West Coast of Florida, only south of Miami, where I had never been. It seems a Key is a glorified sandbar which has gained solidity through vegetation sinking roots and tides bringing in more sand, mostly white but with specks of black. Some of the black came from thousands of years of shark teeth, and every morning I could see people collecting the teeth. It was an art form.

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ALONE TOGETHER

We're in the time of COVID-19, and I'm in the southernmost country in the world, save for New Zealand and Antarctica.

Restrictions are in place, although I read that ours are nothing like the lockdowns elsewhere around the world. Most days I feel lucky, although this is not luck that you'd necessarily want. It's fate at its purest; my parents moved from the United Kingdom more than forty years ago and settled us first in New Zealand, and then Australia. There but for the grace of a job offer go I and my family into most people's current reality.

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THE SHAPES WE TWIST INTO

I've been to Bulgaria twice, separated by a gap of three years, though it feels like I've actually been to two different Bulgarias. This difference is on my mind as I think of how my home country, America, has changed in about the same timeframe. I feel like I've lived in two different Americas lately, and think back to Bulgaria looking for words to pinpoint this sensation.

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DESCENDING EVEREST, An excerpt from a novel

Mt. Everest, April 2011

He knew he could conquer the anguish. His head pounded against dehydration and thin mountain air, as if a tiny demon lodged in his ear canal, pitchfork raised, the same demon who might whisper to him, What are you doing here, heading to the top of the world? Are you who you think you are?

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BEING HAPPY

The White Gentleman decided that the weather was too beautiful this morning to waste the day in everyday nonsense. Therefore, he put on his happy hat and flung the door open with a flourish. He took a deep breath, then stepped onto the street with his left foot. The town was still asleep.

The street was so quiet that he could hear his footsteps. He'd take three steps and then a hop, because walking in an even cadence was boring.

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SAN SALVADOR

If somebody's heart stops due to a trauma, such as a car accident or a fall, CPR cannot save them. I know this, but I don't know if it is the same with cycling. I know you should ask the victim if they're okay and shake their shoulders firmly between two hands. Jerry is on his back, one foot clipped into a pedal, legs across the frame like he's resting. It is hot and sweat drips from the tip of my nose onto his face when I bend over. I shake his shoulders and ask, Are you okay?

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