Nadya Radulova is a writer who refuses to indulge in the normal complaints of Bulgarian artists. She even inverts traditional grievances, claiming that hardship and a peripheral existence lead to better work.
Visitors to Sofia's Nevsky Square will be familiar with the small embroidery market staffed by middle-aged women. But some of their designs have changed...
Needlepoint lace, colourful blankets and finely embroidered linen squares form the mainstay of the product on display. The artefacts represent a connection with Bulgaria's folk roots as well as a great opportunity for tourists to pick up a few light gifts. But such brief exchanges, haggling over a few leva, leave little time to uncover real lives and personal histories.
His fans have acclaimed his fiction – a sex manual replete with lewd and titillating examples – as a hilarious “up yours” to political correctness. His critics claim his writing is coarse, vulgar, offensive and shallow. One British reader said she was reminded of her country in the 1970s when some “misguided mediocrities” championed Carry On movies and Adventures of a Taxi Driver as the best Britain had to offer.
She's the former manageress of a special café for mentally ill people (that enjoyed protected status), a property consultant who uses her background as a psychotherapist to help clients and a journalist who writes about real estate. And, as if this wasn't enough, she's also written two books. It may sound like an exhausting remit but Stanislava Ciurinskiene copes with her diverse roles admirably well. “They complement each other,” she says. “I became interested in psychology because I wanted to know more about myself.
In spite of winning the 2006 Helicon Award for modern prose, Elena Alexieva is honest enough to admit that her dog is her biggest fan. "It doesn't need to read my books to love me," she says. The award for her short story collection, Reading Group 31, briefly placed her in the limelight. But Elena quickly and gladly withdrew from it because, according to her, the Bulgarian spotlight is too small. "It shines like a table lamp and is not worth the effort," she says. Instead, her job as a simultaneous interpreter continues to keep her busy, travelling throughout Bulgaria.
Ivan Moudov, a young contemporary artist, looks like a man capable of smoking his wife's cigarettes after painstakingly cutting the filter tip off each of them - in secret. Not because she would mind, but because he made a bet that he wouldn't smoke for six years, and still has five to go.
It all began with an email I received in the summer of 2005. I was impressed by something Sava Hlavacek wrote when asking for assistance in taking photos in Bulgaria. “Bulgaria is one of the least known countries in Europe. No events from Bulgarian history have become part of European consciousness.”
Georgi Etimov was born in 1963 in Sofia and graduated in civil engineering, a vocation that runs in the family: both his father and grandfather were engineers. He worked as one for a good part of his life, and is married to an architect. Given this background, you would be correct in thinking he would have a strong opinion on the recent construction boom. “Things are not just black and white. There are contractors who go for quality in everything they do, and there are of course the others who make all kinds of compromises.
This Is It
Bulgaria has many faces. The shadowy thick set jaw of corruption glimpsed behind the blacked out windows of a Mercedes 4x4; the peroxide hair and pouting lips of chalga writhing in seductive flashes of naked flesh; the ruddy-cheeked countenance of folk gaily picking rose petals in the fields of the Socialist dream.
Painter Henrik Engstrom, or "HEN", became fascinated with these last two when, flicking through the TV channels in his native Stockholm, he came across some Bulgarian TV stations.